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Schedule
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Fees
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| Sunday July 22 |
| Non-Refundable Registration Fee: $50 |
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Plus
*ADVANCED VIDEO VIEWING OPPORTUNITY: For participants who were not part of the 2010 workshop – as soon as you pay your registration fee AND full tuition payment, you will be provided information and a password to preview some work-in-progress videos on-line. These videos may help you to prepare to participate in the classes, and to glean a better understanding of the video documentation project connected to this workshop.
Half-day participants will ONLY be considered after June 22nd at a tuition rate of $250 (+ $50 registration fee). To place your name on a waiting list for half-day participation (Sunday afternoon, Mon-Fri mornings), fill out the registration forms and waivers/release forms and check off the appropriate request on the form. If you are contacted as to an available slot, you will be expected to pay your tuition + fees within 7 days of notification, or you will forfeit your place on the waiting list.
PDF with full workshop details and registration forms
Restaurants near TCU
Be a Part of Dance History
This workshop will be the primary source material for the second phase of production of educational videos for modern dance students and teachers. By joining us for this special workshop, you will play an important role in the documentation of Bill’s work and teaching methods – both fostering the development of dancers and teachers and furthering the growth and future of modern dance as the exquisite and diverse field of study that it is. The presence of your dancing spirit and body will be most appreciated as we continue on this artistic journey together.
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| noon |
Check in for registration starts at Erma Lowe Hall (renovated TCU dance bldg) |
| 12:45pm |
Welcome Gathering and Orientation |
| 1:15 – 2:45pm |
Bartenieff-Based Somatics Lab
Bill Evans |
| 3:00pm – 5:00pm |
The Bill Evans Method/Laban-Based Modern Dance Technique
Bill Evans |
| Monday through Friday, July 23-27 |
| 8:30am – 10:00am |
Bartenieff-Based Somatics Lab
Bill Evans |
| 10:15am – noon |
The Bill Evans Method/Laban-Based Modern Dance Technique
Bill Evans |
noon – 1:15pm
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lunch break |
| 1:15pm – 2:00pm |
Short Dances (based on each morning’s class investigations)
Bill Evans |
| 2:15pm – 3:30pm |
Excerpts from Evans Modern Dance Repertory
Don Halquist |
| 3:45pm – 5:00pm |
Evans Pedagogy Seminar
Don Halquist |
| 5:00pm – 6:30pm |
dinner break |
6:30pm – 8:00pm
(Monday - Thursday)
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Evans Repertory, Heather Acomb and Jenny Showalter
Heather Acomb and Jenny Showalter |
7:30pm – 9:00pm
(Friday)
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workshop party (location TBA) |
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Saturday, July 21st: Pre-Workshop Play Day in the Fort Worth Cultural District
Modern Art Museum of Fort Worth, 3200 Darnell Street, Fort Worth, TX 76107
Get a jump start on the workshop with some visual and verbal inspiration at CD/FW’s 9th annual Modern Dance Festival at The Modern.
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2:00pm
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Bill Evans lecture at the Modern Art Museum of Fort Worth in the museum auditorium – “Teaching What I Want To Learn”
Bill will reflect on his career and his choreography in this free presentation |
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8:00pm
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Bill Evans, Don Halquist, Heather Acomb, and Jenny Showalter perform as part of "CD/FW Dance Exchange: A Choreographers Showcase"
In the Grand Lobby of the museum. Admission FREE |
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What to do in between? You have your pick of some top notch institutions and you won’t be bored: The Modern (architect, Tadao Ando), the Kimbell Art Museum (architect Louis Kahn), the Amon Carter Museum of American Art (architect Philip Johnson), the Fort Worth Community Art Center galleries, the recently expanded Fort Worth Museum of Science and History (plus Omni IMAX theatre), the National Cowgirl Museum… it’s all right there in the same few blocks. Admission fees to the museums range from free to $14.
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| For more information, e-mail bevans@brockport.edu or cdfw@cdfw.org |
Faculty
Bill Evans and Don Halquist have devoted much of their professional lives to developing a modern dance technique. Evans incorporated patterns he had found meaningful and knowledge he had generated from an extensive study of Limón, Graham, Nikolais and Cunningham styles into his own teaching materials when he opened his own school for professional dancers in Seattle. He also integrated knowledge and practices derived from his long study of rhythm tap, jazz, and world dance forms. His focus was finding efficiency, fluidity, power, and a wide dynamic range. Most importantly, he integrated training principles gained from a study of kinesiology and principles and concepts of Bartenieff Fundamentals and Laban Movement Analysis into his teaching of modern dance technique.
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| Bill Evans photo by Jim Dusen |
BILL EVANS, MFA, CLMA, CMA, is an internationally-acclaimed dancer, choreographer and teacher and the creator of a widely-practiced method of teaching contemporary dance technique. He has performed and choreographed for Repertory Dance Theatre (where he also served as artistic coordinator for six years), Winnipeg’s Contemporary Dancers (where he was also artistic director) and the Bill Evans Dance Company (since 1975). He has taught and performed in all 50 states and throughout many other countries. He has choreographed more than 200 works for more than 65 professional companies. He has been awarded the Guggenheim Fellowship and numerous fellowships and grants from the National Endowment for the Arts, and he received Lifetime Achievement Awards from the National Dance Education Organization and Dance Teacher Magazine. He earned BA and MFA degrees from the University of Utah, which awarded him the Distinguished Dance Alumni Award in 2011. He received an honorary doctorate of fine arts from the Cornish College of the Arts in Seattle. He was named one of America’s three favorite tap artists in the most recent Dance Magazine readers’ poll. He is a Certified Laban/Bartenieff Movement Analyst and a distinguished professor emeritus of dance at the University of New Mexico, and he is now in the eighth year as visiting

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Don Halquist photo by Jim Dusen
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professor/guest artist in The College at Brockport Department of Dance. His book, Reminiscences of a Dancing Man, was published by the National Dance Association, which named him Scholar/Artist of the year in 1997. He established his summer dance workshops in 1976, and thousands of students and teachers have studied with him since that time.
DON HALQUIST, PhD, earned his doctorate from the University of New Mexico in Albuquerque. He has been a leading dancer in the Bill Evans Dance Company since 1985 and has performed throughout the U.S., and in Canada, Mexico, France, Finland and Hungary. He is a Certified Teacher of the Evans Laban-Based Method of Teaching Modern Dance Technique and has taught dance technique and repertory at the University of New Mexico, SUNY College at Brockport, the Senior Professional Program of Winnipeg’s School of Contemporary Dancers and in Evans Intensive Summer Workshops for 14 years. He is chair of and associate professor in the Department of Education and Human Development at The College at Brockport, State University of New York.
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Jenny Showalter photo by Katelin Carter
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JENNY SHOWALTER, MFA, is co-artistic director of Treeline Dance Works, is a dancer and choreographer whose work has recently been presented in numerous festivals in France, NY, MI, CT, OK, OH, IN, TX, CA and IL. Showalter has served on faculty at Ball State University and The College at Brockport and been a guest artist at Lincoln College, Western Illinois University, Hathaway Brown School, Hobart and William Smith Colleges, Grand Valley State, University of Buffalo, Motus Dance Company and Perpetual Motion Dance Company. She has been a member of the Bill Evans Dance Company and Evans' teaching assistant since 2008, having studied with him since 2005, and is a Certified Teacher of the Evans Laban-Based Method of Teaching Modern Dance Technique. Showalter holds an MFA in Dance Choreography and Performance and a BS in P.E. Exercise Science, is a certified personal trainer, Pilates instructor, and Registered Somatic Movement Therapist. Jenny will act as a demonstrator and a faculty member during the intensive.
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| Heather Acomb photo by Katelin Carter |
HEATHER ACOMB, MFA, is a dance artist and educator originally from the Rochester, NY area. She has performed, guest taught, and had her work shown in several locations throughout New York State, as well as across the country. Heather has been a member of the Bill Evans Dance Company since 2009, and in 2011 she became certified in the Bill Evans Method of Teaching Laban-Based Modern Dance Technique. She serves as a teaching assistant to Mr. Evans in his technique classes and summer workshops. She also performs on a project basis with Treeline Dance Works. Most recent performance credits with Treeline include Triskelion ARTS in Brooklyn and Ravel's Boléro with the Rochester Philharmonic Orchestra. She has performed the works of Doris Humphrey, Larry Keigwin, and José Limón, among others, and has studied extensively with numerous master teachers and dance artists including the Limón Dance Company, Garth Fagan Dance, Sean Curran, and Mandy Moore, among others. She received her MFA in Dance from The College at Brockport, and also holds a BA in Communication with minors in Dance and English from SUNY Geneseo. Currently, Heather serves on the dance faculty at SUNY Geneseo, where she co-directs the student dance ensemble, and Hobart and William Smith Colleges, where she is a visiting Assistant Professor. Heather will act as a demonstrator and a faculty member during the intensive.
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